Sunday, May 01, 2016
 
 
copy link for RSS feed
Orlando Public Library Takes Learning to Another Level with Blackmagic Design ATEM Television Studio
When many people think of libraries, they think of rows upon rows of books meticulously categorized and alphabetized. Perhaps there are tables with lamps emitting a soft glow and students bent over their studies or readers lost deep in the worlds of their favorite novels. Located in 26,000 square feet of space in the Orlando Public Library, the Melrose Center expands the role of the library by offering access to hardware, software, support and programming to inspire and invigorate creativity. And according to Anthony Torres, video production instructor at the Melrose Center, it's free of charge for library cardholders. ...Read More »

Fractal Visuals
One might think an 18 year old film student would be just starting to learn the ropes of the film world. But John Byron Hanby IV, a freshman at The University of Texas at Austin, already has years of experience under his belt. He even started his own production company when he was just 16. Discovering his passion for filmmaking at age eight while making a documentary about his local martial arts studio, John began to dabble in short films and corporate videos. In December 2012, he founded his production company, Fractal Visuals. ...Read More »

Documentary Express
Plenty of people move to Hollywood in the hopes of becoming an actor or filmmaker. In order to find regular work and make a successful career out of it, it really helps to learn the ropes from someone who has experienced it firsthand. It certainly takes a lot of hard work to be successful, as Michael Buffo knows. After all, not only has he found success as an actor and filmmaker, but he also began two production companies and a school to share his knowledge with the next generation of young actors and filmmakers. The MCOE site features a Digital Media Lab with computers and state of the art editing software, a black box theater, a high definition television studio with professional control rooms and a radio station designed for broadcast as well as podcast production. ...Read More »

Blackmagic Production Camera 4K, Pocket Cinema Camera and DaVinci Resolve
San Antonio, Texas based Trinity University is dedicated to educating its students and helping them learn in any way possible. It's why the university developed the AT&T Center for Learning & Technology, which provides faculty, students and staff access to technology, media and training that enhance teaching, learning and research, as well as distribute and maintain media and media equipment for instruction and campus events. "Trinity University makes it a point to give the students access to the best tools and newest technology available for hands on learning," said Taylor Stakes, video and web multimedia content developer. "It's one of the reasons we chose to invest in Blackmagic Design's Production Camera 4K, Pocket Cinema Camera and DaVinci Resolve." ...Read More »

Broadcast Media Group Uses AJA Ki Pro Quad to Capture 4K Video of Mississippi State Football Team
Broadcast Media Group (BMG) is a full service production shop based in Starkville, MS. The company works with clients nationwide, and also provides production services for projects to sister company Tellos Creative, a full service advertising agency. For the past three years, BMG worked with client Mississippi State University to produce a :60-second in-stadium video that plays on massive 110 foot screens at the beginning of each home football game. This year, BMG also produced the video of player's headshots that introduces each player in the game's lineup. ...Read More »

Documentary Editors Rock 'Filmage' Post Production with AJA Io XT
"Filmage: The Story of DESCENDENTS/ALL" began as a passion project for a group of creatives working at Dallas-based post house CharlieUniformTango (CUT), and quickly evolved into a full-fledged documentary production. Within four years, the film's directors Deedle LaCour and Matt Riggle, along with editors Justin Wilson and James Rayburn, had traveled the world, combining a love for old-school punk music with filmmaking chops to deliver an indie flick that recounts the history and influence of punk rock legends the Descendents. The film features a compilation of present-day interviews with band members and industry influencers, fan video submissions and archived tour media. Editorial for the film required a portable and flexible workflow, for which Rayburn turned to AJA's Io XT Thunderbolt-enabled professional video device for on-the-go I/O. ...Read More »

The Blackmagic Pocket Cinema Camera Goes for a Thrill Ride
Katarsis Films is in the business of selling smiles. Based in Mexico City, the young, independent production company has been working for the past two years with one of the most well known Mexican theme parks, La Feria Chapultepec Mágico, to produce heart pounding advertisements that thrill its viewers. Katarsis founder, the charismatic Juan Carlos Elias, is as dynamic as the rides themselves, producing, directing, shooting and finishing the ads that Katarsis churns out on a regular basis. To assist him with achieving the right look for these ads, Juan Carlos uses the Blackmagic Cinema Camera, Pocket Cinema Camera and DaVinci Resolve. ...Read More »

AJA Ki Pro Quad and Canon C500 Steer 4K Production for 'Atlas Shrugged: Who is John Galt?'
For the final film in the trilogy adaptation of Ayn Rand's novel - "Atlas Shrugged: Who is John Galt?," Independent Producers John Aglialoro, Harmon Kaslow and CoProducer Bernie Laramie, together with Director James Manera and Director of Photography Gale Tattersall, set out to facilitate an end-to-end 4K workflow from capture to finish and on through projection. With lofty production goals and a modest budget, Tattersall and Laramie employed the AJA Ki Pro Quad 4K/UltraHD/2K/HD file-based recorder and Canon EOS C500 camera to capture and record more than 40 hours of 4K ProRes 444 footage shot across Downtown Los Angeles and Malibu over the course of 17 days. ...Read More »

'Pagan Holidays' Transforms from a Small, Independent Project to a True Feature Film
Clifton Holmes knows you have to be ready for anything. Just because one opportunity doesn't work out, it doesn't mean you can't leverage what you already have and turn it into an even greater one. It's all about being flexible. It's how he came to direct "Pagan Holidays," the first official project from Basic Elements, a Chicago based entertainment production company aimed at creating reasonably budgeted feature length productions, both narrative and documentary, which Clifton founded in 2012. ...Read More »

Hillsong Church Handles Congregation Growth with Blackmagic Design
Founded thirty years ago in Sydney, Australia by Pastors Brian and Bobbie Houston, Hillsong Church has grown rapidly over the years. The church is now comprised of more than a dozen locations in eleven countries across the globe. In Australia alone, more than 30,000 people attend services weekly. The days of a single preacher speaking from a wooden pulpit with only his voice are gone. 30,000 people each weekend want to feel part of the sermons, services and church family. One of the best ways to build and serve the growing congregations is to establish an amazing broadcast and AV infrastructure in each campus. Hillsong's requirements include HD broadcasts, live video switching, recording to DVDs and conversion of formats to meet its needs. ...Read More »

SXSW Premiere "Thank You a Lot" Tells a Story of Austin's Music Scene
By Lou Wallace Austin, TX may be known as the live music capital of the world, but it's also home to a thriving video production and film industry that promotes and champions local talent, with members sourcing expertise from within the tight knit community. Austin doesn't just keep it weird; it also keeps it local, which is exactly what Writer/Director Matt Muir and Producer Chris Ohlson did with their feature film "Thank You a Lot." Not only was the film shot in Austin, but Matt is also a graduate of the University of Texas along with the film's DP, Harrison Witt, who teaches courses in advanced cinematography and film production at the university. ...Read More »

Gaming Is Big Business...for Those Employing Predictive Analytics
For online and video gaming, the upheaval in industry practices toward digital has caused a drastic reconfiguration within business models, advertising revenue and the general approach to the industry at large. In this live webcast, you'll learn how predictive analytics can help you analyze a myriad of data, understand the attributes of high-value players, predict lifetime value and score individual players on various affinities so you can deliver the right offer at the right time. ...Read More »

For the King of All Media, a Birthday Bash Gets a Royal Production
By Sebastian Thaler When you're the King of All Media, your birthday party is a royal event. So when Howard Stern chose to celebrate his 60th Birthday Bash at New York City's Hammerstein Ballroom-part of the Manhattan Center, located at 311 West 34th Street-on the night of January 31, an array of topnotch production staff went into action to ensure that everything ran smoothly. The crowd inside the Hammerstein Ballroom-and those listening to the live broadcast on SiriusXM Satellite Radio-were delighted with Howard, his cast of regulars, and a galaxy of guests ranging from Rob Zombie to George Takei, Jimmy Kimmel, The Black Keys, Joan Rivers, Jon Bon Jovi, Adam Levine and dozens more. Behind the scenes, the quality of the production was just as brilliant. Topping it all off, the production staff had only two days to pull it off. ...Read More »

AJA KONA LHe Plus and AJA Control Room Drive Capitol Television Broadcasts
Eight Sony HDC-P1 HD cameras and three Sony BRCH900 robotic cameras send feeds to a Ross Video Carbonite production switcher and through a Ross Video router, where it's offloaded to any one of five playback and record servers, which are outfitted with AJA KONA LHe Plus I/O cards and AJA Control Room software. The SDI signal is then sent to the KONA LHe card within and back through the router, and all converted or compressed data is stored on a custom-built 36 TB RAID system. Telestream's Episode Engine software converts the DVCPro HD output of the KONA cards to H.264 or MPEG-2 for the on-air server. Material is on LTO tape. SAN sharing program Metasan allows all five playback and control servers to communicate with the storage. A sixth server houses the RAID. ...Read More »

Queensland Gallery of Modern Art Australian Cinémathèque Preserves and Promotes the Art of Film with Blackmagic Design
Located at the Gallery of Modern Art (GOMA), the Australian Cinémathèque presents retrospective and thematic film programs and exhibitions, which explore the influence between the moving image and other areas of visual culture. Its mission is to collect, conserve and interpret film and screen culture by showcasing the work of influential filmmakers and artists from different genres, geographies and time periods. ...Read More »

Scott Freeman Cracks the Case
Scott Freeman is a modern day Sherlock Holmes. If Sherlock Holmes worked in post production with several broadcast clients with different workflows and tight deadlines. As the online editor for a number of television shows, including several of the most popular weekly TV dramas on cable, which are completely file based, Scott was challenged with creating a file based online conform workflow. With a variety of cameras used to shoot the shows, Scott needed to figure out a way to conform the different footage and create links between the files. And Blackmagic Design's DaVinci Resolve color correction became the bridge he needed. ...Read More »

Stereo D goes big with Quantel Pablo Rio
In the past three years, Stereo D has taken the 2D-3D conversion industry by storm. In the last six months alone, 13 big-budget movies have been converted at the facility, with the company now holding an 85% market share in 2D-3D conversions. Quantel systems make up the backbone of its post-production workflow, with the company recently purchasing three Pablo Rio color correction and finishing systems in order to complete the 3D conversion and post-production of sci-fi action movie, 'Pacific Rim', directed by acclaimed filmmaker Guillermo Del Toro. ...Read More »

Broadcasting The Pickathon Music Festival
Held just outside of Portland, Oregon each August, Pickathon is not your typical music festival. The founder's goal was simply to create the best weekend festival of the year for music lovers. Innovation for Pickathon means creating and refining separate, unique performance stages. Bringing different music lineups and styles together each year. Being the world's only large music festival to eliminate plastic and single use items. Opening up festival planning to the public. While innovation is essential, community is the backbone of the festival. Pickathon brings together a community of music lovers; whether they are sitting in front of the Galaxy Barn stage or sitting in font of their computer in Iceland live streaming Feist's set. A huge part of building the community is based on live broadcasts and live streaming the festival to viewers around the globe. And that is where Ryan Stiles, Pickathon's producer, comes in. ...Read More »

NVIDIA Quadro and PNY Fuel AccuWeather's StoryTeller
Delivering fast-paced graphics and video has become a necessity for newsrooms both big and small. Whether it's the latest radar images of an impending hurricane, live traffic reports, or social media interactions with on-air talent, broadcast stations face constant pressure to find ever-more graphically powerful formats. Traditionally, only the largest network studios had the money and technology to wow their audiences. Now, the StoryTeller Interactive Touchscreen system from AccuWeather, powered by NVIDIA(r) Quadro(r) graphics cards, levels the playing field-so news stations of any size can deliver compelling, real-time, multimedia interactive stories to their viewers. ...Read More »

Steve Beganyi Takes Viewers on a Trip Around the World
From locked cut to network delivery, Steve has just two to three days to color grade an entire episode. And that doesn't mean throwing one main grade onto the footage and calling it a day. It means creating a completely unique look for each episode that captures and enhances the feeling and theme of the specific location and trip. Steve's tool of choice that helps him deliver - DaVinci Resolve. ...Read More »

 





About Digital Facility - Contact Us - Advertise With Us - Privacy Guidelines