Friday, April 29, 2016
 
 

"The look we were going for was very rough, gritty, and cool. We sharpened some faces, desaturated the overbearing colors, and added a blue tinge to the blacks that really helped us accomplish the desired look." explained Rob.
Rivalry on the Ice
Grading VFX Heavy Spots with Boston's Finish Post For Epix's 'Road To The Winter Classic'

There is almost no rivalry in professional sports that matches the intensity of one in the National Hockey League. It is not just team against team, but city against city competing against each other in rivalries that have been passed down through generations. Which is one of the reasons why the Winter Classic has become a huge success. Every year, the NHL highlights hockey the way it used to be played: Outside, open to the elements, and in front of thousands of screaming fans. All while featuring teams that have forged generations of bitter rivals. One of these heated rivalries is between the Montreal Canadiens and the Boston Bruins. These two teams are members of the "Original Six", the first professional hockey teams in the NHL, dating back to the beginning of the 20th century.   [FULL STORY]
 
 
 
Spanish speaking channels Cine Nostalgia and Cine Estelar program line up features a number of movie genres including comedy, classic western, drama and action from the '50s, '60s and '70s streamed in HD to the US market over cable platforms Direct TV, AT&T, Verizon and Cox. Cinema Arts, a Mexico-based production facility owned and by Vasallo Vision Group, has embarked on a sizeable film restoration project, with the aim of bringing Cine Nostalgia and Cine Estelar's 2000 plus Mexican 35mm Film classics to digital HD with unmatched quality and preservation. "It's not just about restoring a film," states Cinema Arts CEO Carlos Vasallo. "Our goal is to present the highest quality and be faithful to its artistic and historical work as envisioned by the original producers, directors, and screenwriters."   [FULL STORY]
 
Held biennially, the Special Olympics World Summer Games bring together athletes from countries around the world to demonstrate their courage and determination, as well as to discover new strengths and skills. In July 2015, the fourteenth games were held in Los Angeles and had 6,500 Special Olympics athletes from 165 nations competing in 25 different sports. Stephan's cinema verité style lent itself perfectly to the project, as he strove to film the talent within their own environments, allowing the narrative to unfold through intimate conversations and observed moments. In order to support the documentary style of the films, Stephan used a Blackmagic URSA 4K digital film camera, as well as several Pocket Cinema Cameras.   [FULL STORY]
 
There is nothing quite like the challenge of color correcting a food commercial. All of those beautiful food spots you see every day take a skilled hand and a huge amount of work to look that good. And Florida's Indie Atlantic are experts at it. Which is why the foodstore giant Publix used Indie Atlantic Films for its new "At Season's Peak" ad campaign. And to get the look that Publix wanted, Indie Atlantic used DaVinci Resolve.   [FULL STORY]
 
For the first time in recent history, a Montreal based colorist has been nominated for the prestigious Hollywood Post Alliance Awards in the Outstanding Color Grading for a Feature Film category. Post-Moderne's Charles Boileau is one of five nominees for his work on Monsoon, a documentary shot in 4K that explores the social, economical and philosophical aspects of the Monsoon in modern India. Charles stands among nominees from some of this year's top films, including Birdman, Whiplash, The Boxtrolls and Lady of Csejte.   [FULL STORY]
 
Entertainment journalists got a chance to boogie with the Peanuts gang this fall during Fox's press screening of "The Peanuts Movie" at the Toronto International Film Festival (TIFF). Los Angeles based visual effects company BlueScreen LLC, working with Junket Productions and Fox, oversaw the on-site shoot, which captured 60 journalists dancing on-camera to Meghan Trainor's new song from the movie's soundtrack "Feels Better When I'm Dancing." The footage was composited live with a CG scene featuring a Soul Train dance line style of Peanuts characters, played back via AJA Ki Pro Rack. Each take was then recorded to CF cards, which Fox sent to press ahead of the film's debut for use in on-air segments about the movie.   [FULL STORY]
 
Engaging all of the senses on a one dimensional plane takes incredible talent, a vision and a little Blackmagic. Through filmmaking, director Jorge Díaz Fernández, photographer Daniel Zanco and producer Mariano Bravo pull off the improbable, planting the grain of a commercial idea and growing it into a story. The three co own AIMA FILMS, an agency that forgoes traditional film shooting in favor of marketing through art. This emotional tug sets the young entrepreneurs apart. They each bring their own experiences into their work, be it a love of the horror genre or an aptitude for designing clothing, and they host weekly brainstorming sessions to work them all together into trial art projects.   [FULL STORY]
 
 
 
 
Company Profile:
Inhance Digital Use Fusion Studio in their Hollywood Based VFX Division
Located in the heart of Hollywood's elite VFX artists and studios, Inhance Digital have skillfully developed their visual effects division with Blackmagic Design's Fusion Studio compositing software. From full CG environments to leading green screen compositions, Inhance VFX have repeatedly delivered a variety of services for major studios on VFX heavy productions such as "Grimm," and other hit shows, including "Nashville," "Jane the Virgin," and "Episodes." [FULL STORY]

Case Study:
Ka-boom puts Facilis TerraBlock at heart of Irish tech revolution
Ka-boom is one of Northern Ireland's fastest growing Production and Post Production facilities for TV and Film. Our facility boasts full Avid DS, Avid MC 8, Symphony, Final Cut and Pro Tools 5.1 Dubbing Theatre all centrally connected via 10Gb to its Facilis TerraBlock system alongside Northern Ireland's Largest ADR Stage. We work on a mixture of local and international productions and some of our credits include films such as Philomena, Monuments Men, the BBC's Panorama series, and commercials for Subway and BT and. Alongside its Post Production services, we also provide full production services with an experienced team of production staff. [FULL STORY]

Project Profile:
The Woodlands First Baptist Church Seamlessly Transitions into a Connected Campus and Mega Church with Blackmagic Design
In 2011, Timothy Thornton officially got tired of traveling the world. But who could blame him? After working in every possible facet of the A/V and live production industries for more than 30 years, Timothy had traveled the globe pushing road cases, hooking up wires and designing systems and workflows for everything from churches and fast food chains to concerts. His company was also involved with the Democratic and Republican Nationals Conventions, the Golden Globes, Grammy Awards and Oscars. Timothy has always had a faith based background, so when The Woodlands, TX based The Woodlands First Baptist Church asked him to revamp its A/V, he put away his suitcases and said yes. In his role as Technical Director of the Media Department, Timothy began by producing several in house events. [FULL STORY]

Project Profile:
Director/Cinematographer TJ Derry Adopts AJA CION for Commercial Production
In a new spot directed by Toronto-based director and cinematographer TJ Derry, an elaborate photosynthesis experiment proves that Scotts EZ Seed fertilizer helps grass grow almost anywhere, including a basement. Shot on CION at 4K in ProRes 444, with time-lapse footage captured on multiple Canon DSLRs, the spot showcases the beautiful cinematic images from the CION camera on a low light set. [FULL STORY]

Project Profile:
AEGraphics Bowled Over by Vizrt and Matrox Video 4K Solutions
The Cricket World Cup (CWC), held every four years with the top 14 teams in the world competing, is a much anticipated event with a large viewership, typically in hundreds of millions. The 2015 Cricket World Cup was held in Australia and New Zealand. Star Sports, the host broadcaster for the 2015 Cricket World Cup, covered every match live. All the matches played by India, plus the semi-finals and final, were broadcast live in 4K to local cinemas in India. Alston Elliot (AEGraphics), one of the world's leading providers of television graphics and data solutions, was asked to deliver 4K graphics on Star Sports' live 4K coverage of the CWC games. [FULL STORY]


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